MEWShop is constantly looking for new ways to connect students and employers. To this end, we‘re launching a new program. We call it Manhattan Edit Workforce.
MEWShop Welcomes Editor John Gilroy
The Secret Passion of Curtiss Clayton
MEWShop Releases Artist in Residence Podcast to Worldwide Audience through Audible.com
As part of MEWShop’s signature Six Week Art of Editing course, award winning editors act as Artist in Residence – where they curate a selection of films to be viewed and analyzed throughout the workshop and offer insight and advice about the editing profession. Each six week program then closes with an invitation only discussion, about their craft and body of work. “This one night only event is the most popular events we do”, says Josh Apter, “The audience varies, from novices to seasoned post production veterans. And without fail, we end up turning people away at the door.”
MEWShop’s Got the Right Stuff
Editor Curtiss Clayton Comes To MEW
Opening the Editing Vault
MEWShop is Jazzed about Editor Alan Heim
Thursday With Carol
On a wintry Thursday evening in late February, Carol Littleton, ACE spoke to a crowd of more than 50 filmmakers at the New York Editors Guild office. In her presentation, the then Artist-in-Residence at the Manhattan Edit Workshop--who is a former President of the Guild and currently the organization's Vice President--described techniques of creating character and thematic introductions in her films.
Carol Littleton: MEWShop’s First Artist in Residence for 2007
Whether you know Carol Littleton’s work from films like Steven Spielberg’s E.T., Lawrence Kasdan’s The Big Chill, or Jonathan Demme’s The Manchurian Candidate, chances are you know her work. Manhattan Edit Workshop’s Six Week Intensive Art of Editing Course is honored to have her as the first Artist in residence of 2007.
He'll Take Manhattan - Our Fall 2006 Artist in Residence
Editor in Residence
Every moviemaker knows that a film never truly takes shape until it makes way to the editing room. A great editor is a much a necessity for a successful film as as a talented writer or director. If it seems like well-known directors work with same editors over the course of their movies career that's because, well, they do!