Headlining the first installment of the 2013 Inside the Cutting Room speaker series, held on February 21, is master film editor Andrew Weisblum, A.C.E. whose critically acclaimed work includes Moonrise Kingdom, Black Swan, Fantastic Mr. Fox and The Wrestler. O’Steen further comments, "I am honored to welcome Andrew Weisblum as our first guest. His talent and insights about the editing process are an inspiration." Together, they’ll screen and discuss key scenes from Weisblum’s body of work. Weisblum adds, “I'm excited to have an opportunity to talk about my collaborations and explore a bit of the process of how these films ultimately came together.”
Inside The Cutting Room with Bobbie O'Steen at NYU Cantor Film Center on November 8th
Please join renowned author Bobbie O'Steen ("Cut to the Chase," "The Invisible Cut") for an in-depth discussion with master film editor Tim Squyres, ACE, who will screen footage and talk about his work on such films as "Crouching Tiger, Hidden Dragon," “Syriana,” "Rachel Getting Married,” and “Life of Pi".
Filmmaking And Creative Superstars Share Stories From The Cutting Room Floor at EditFest NY 2012
MEWShop Presents: Inside The Cutting Room With Bobbie O'Steen Featuring Jay Rabinowitz, ACE
Please join renowned author Bobbie O’Steen (“Cut to the Chase”, “The Invisible Cut”) for an in-depth discussion with master film editor Jay Rabinowitz, ACE who will screen footage and talk about his work on Night on Earth, Affliction, Requiem for a Dream and I’m Not There. This event is presented by Manhattan Edit Workshop and will take place at NYU’s Cantor Film Center on April 26th from 7 to 9 pm.
The Innovative Interpretations of Jay Rabinowitz - Editor's Guild Magazine
Whenever editors begin a film, they enter into completely new territory and must adjust to and understand the director's way of working and thinking. Editor Jay Rabinowitz, ACE, has traveled among a particularly diverse group of directors and has been able to immerse himself in their worlds - while showing the courage and ingenuity to surprise them,, which is what really sets and editor apart. All of this was in evidence when we discussed and screened some of Rabinowitz's work in December for my "Inside the Cutting Room" series, produced by ProductionCONN and Manhattan Edit Workshop.
Inside the World of the Pixar Editor: Ken Schretzmann of Toy Story 3 Discusses the Craft - Moviemaker Magazine
The accomplishments of an editor can be both mysterious and underappreciated, and nowhere is this more evident than among the editors at Pixar Studios. I discovered their special role in the animation process when I visited Ken Schretzmann at Pixar shortly after he won an Eddie for Best Edited Feature Film in Animation for Toy Story 3. He then became the focus of my panel at EditFest NY; and after all our discussions I now realize how fully Pixar uses the editor’s talents, one of many brilliant strategies that has led to the studio’s extraordinary success.
Telling Better Stories - A Report from EditFest in New York
This past June 10-11 saw the audtitorium of Manhattan's Directors Guild Theatre full of eager students, editors and other creatives who attended the 2011 American Cinema Editor's (ACE EditFest New York. Co-sponsored by digital training center Manhattan Edit Workshop (MEWShop), the now-annual East Coast event is supported by the Motion Pictures Editors Guild, as well as post industry mainstays Avid, Adobe, AJA, Autodesk, Blackmagic Design and others.
MEWShop Captures The Action of EditFest NY 2011 Via Signature Padumentaries Featuring Filmmaking's Finest
MEWShop Announces Artist in Residence 2011: Your Destination For Creative Excellence
Sensing The Right Rhythm - Editor's Guild Magazine
While the New York edition of EditFest - sponsored by American Cinema Editors-has whetted East Coaster's appetite for advanced training and talks with top edit talent, the fact that it unspools only once a year has left many wishing for more.
That wish can true on a cold evening in January with the launch of EditFest Shortcuts, a one-on-one screening and Q&A dedicated to explicating an experienced editor's career. Author Bobbie O'Steen, well known for her interviews at both EditFest LA and EditFest NY, was in her element as she kicked off this debut session with Craig McKay, ACE.
EditFest With Alan Heim - A Star Editor and His Work on Star 80
I just moderated my third panel for EditFest, and although this had only one panelist, it was enough for a feast, because that panelist was the very gifted and gracious Alan Heim. Alan chose to discuss and show clips from Star 80,director Bob Fosse’s final film, which was an unconventional decision. The film was vilified by the critics and audiences found the disturbing and sexually violent subject matter to be difficult viewing. Alan said, “I believe had it not been so well made, maybe it would have been unwatchable.” Fosse had this to say about the film: “The passion I had when I made it is no longer there, but I know it’s technically the best movie I’ve done. I felt completely in control of this story.”
Moderating a Panel at EditFest NY
EditFest LA was launched with great success last year by ACE (American Cinema Editors) – the honorary guild for editors – and this year they decided to have EditFest NY on June 12th and 13th at the Directors Guild Theater. This was the first event of its kind: two incredible days of panel discussions where many of the most respected and well-known editors analyzed their work and careers for an eager audience of up-and-coming filmmakers.