NEWS & PRESS
What's it like to be a television editor? Experts explain.
There has perhaps never been a better time to be an editor in Hollywood, though according to panelists who spoke on a panel at the Sight, Sound & Story event in New York, the job is different than it used to be.
Manhattan Edit Workshop’s recent Sight, Sound & Story: Art of Cinematography in New York City featured two one-hour panels: “Thinking In Pictures — Perspectives, Compositions, Lighting and Mood” and “Life Behind the Lens: DPs Talk Careers and Creativity in Film and Television.” The first focused on documentary work and the second on narrative-based storytelling. Both sparked questions and ideas in the head of this DP, including what roles and responsibilities cinematographers play in the storytelling process.
